Uccellacci e Uccellini - Hawks and Sperrows

wow- I wish I saw this when we were doing the title sequence.
Does anybody remember when I was talking about a read title sequence-well this is sang-and it is awsome

hit me

INbetweenLINES

working on

Hello,
long time no seen.
well I have edited new versions of:
Hit me - the piece with the shaking girl piece
INbetweeenLINES

In Hit me I tried to eliminate all the distracting moments of the piece, concentrating on her convolutions, rather then in make in it a narrative piece.
I think that it still is a narrative piece, but definitely in a way that the audience is the one who decides how to read it. I made some adjustments to the sound, abstracting the sound more, making it more of a continuous noise. Finally I tried to add some insight in the character, using some forced zoomed in angles. Because of the quality of the film and the extremed zoom in, the footage acquires a surviliance quality look.

For INbetweenLINES I worked on finding a composer and cleaning the footage and especially the transitions. I also tried to make the piece longer and have the transitions between different clouds more smooth.

I also tried to work on a new film, I would say that what I have submitted is a preview of what the film will be about...Nothing is accomplished during the visual, all it is set is a scene of a relationship. Talking with David I realized that I will need to film it again and have clearer intentions. Will it be a narrative or a abstract piece.

To be an abstract piece, you need to abstract and minimalize all the elements.
I really need to be careful about the hands that I will use.
Plan more how they move and the lighting.
THE LIGHTING